Tuesday, August 16, 2016

Child Soldier: When boys and girls are used in war by Jessica Dee Humphreys and Michel Chikwanine


 First person narratives are very powerful and more so first person narratives of harrowing experiences. We know there are conflicts going on all over the world but most of them hardly make the news cycle here in the United States. This site tracks some of them.

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Wednesday, August 10, 2016

Grunt by Mary Roach



In the yawning dog days of Summer, last chance for those still on vacation for some lazy summer reading, and a perfect time for last-minute escape to those who might already be back to the school year grind. When you don't have time or energy or the concentration for a novel, nonfiction makes for a good choice.

Mary Roach is the author of Stiff: The Curious Life of Cadavers, Packing for Mars: The Curious Science of Life in the Void, and the book I want to talk about, Grunt: The Curious Science of Humans at War. If there was one word to describe Mary Roach's approach to her subjects I'm going guess... curious?

As you can surmise from the title Roach like to take her curious mind and delve into the more unusual scientific aspects of warfare and its side effects. Told with occasional humor but always tactfully factual, boys will no doubt go into the chapter on genital transplants with a smirk and come out sobered about exactly the sort of "collateral damage" you don't learn in a first-person shooter game. Along the way are chapters on testing shark repellent, how one learns to drive around and over bombs, and the medical benefits of maggots on wounds.

Not for everyone, but for that particular boy out there, this is a goldmine of great nonfiction.

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Tuesday, August 9, 2016

HARRY POTTER AND THE CURSED CHILD by J.K. Rowling et al.

If you read all the way to the very end of the Harry Potter series -- and I know some people did not, because they chose to skip the "epilogue" -- then the last time you saw Harry, Ron, and Hermione, they were adults sending their kids off to Hogwarts. Harry was sending his middle child, Albus, off - a kid in the same class as Draco's only child.

Harry Potter and the Cursed Child is a form of continuation, but it is not a fully-realized novel with the sumptuous setting and details we've come to expect in Harry Potter novels. Then again, it's important to remember that this is not a novel. It is instead the script of a play in two parts. Pity the poor show-goers who got tickets for only one night and cannot see the entire play.

It came about because J.K. Rowling wrote a story, and John Tiffany and Jack Thorne turned it into a play. Which means there are slight set descriptions, stage directions, and dialogue. If you already know the world described in Hogwarts, including Hogwarts and the Ministry of Magic and more, then this shouldn't post a problem to you. You don't need the full description of Platform 9-3/4 or the Hogwarts Express or the witch with the cartful of sweets who walks its aisles, because you can already conjure all that for yourself based on your knowledge of the prior books and the bits of setting and stage directions in the pages of The Cursed Child.

I'm not going to post any spoilers, which means I won't give you much in the way of details at all, except to say that Harry, Ron, Hermione, Ginny, Draco and other characters from the original series are actual grown-ups in this book, and their characters (19-22 years after Voldemort's death) logically relate to how they were when younger, but are not precisely the same, just as occurs with real people.

This story is much more interested in the younger generation, and especially focuses on Albus Potter and Scorpius Malfoy who are, against most odds, the very best of friends. And on the adventure they undertake, which -- this being a Potter story -- turns out much different than they expected, and also manages to involve the parents in an adventure of their own: working together.

If you are lucky enough to have tickets to see this in London, then I won't presume to tell you whether you should read this beforehand or not (though I will say that I know two people in that position, and both opted to read it, since they don't mind spoilers). Otherwise, it seems likely to be a LONG time before this play arrives in the United States or becomes a movie.

So read it, by all means, just don't expect it to read like a standard novel. Because, after all, it is a play.

And this play's the thing.

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Monday, August 8, 2016

Mongrels by Stephen Graham Jones




“It was a story, of course.
 It’s all we’ve got” (281).


As for werewolves, so for us all.

When I talk to my students about fiction, we talk about how all stories are answering one big question: What does it mean to be human? And we talk about (using Thomas Foster’s How to Read Literature Like a Professor as our guide) how genre stories, particularly those involving “non” or “extra” human characters (aliens, mythological creatures, robots, zombies, and so on) help foreground this question. The best stories challenge the conventions of the genre, and mix the genres themselves. They are mongrels, if you will.

Stephen Graham Jones’ incantatory novel Mongrels is a werewolf story. Hell, it’s practically an ethnography—such is the depth of detail Graham Jones provides in building the origin stories of not only our teenage narrator and his family, but of werewolves in general. For those of us whose knowledge of werewolves is largely limited to Team Jacob in Twilight, such stories are illuminating. I’d recommend Mongrels on the strength of those stories alone. But those stories alone cannot account for the power of this novel.

For Mongrels is also a coming-of-age story, the story of our narrator growing up without a mother and father, relying on his Aunt Libby and Uncle Darren to fill those roles in his life. Relying on the stories of his grandfather, stories whose meanings change as our narrator grows up and understands more about his life and his family. The story of an isolated boy who yearns to turn, to join his aunt and uncle as full-fledged werewolves. To become, in his own way, a “real boy,” to become “one of us,” to echo some other stories of coming-of-age and fitting in.

Unfolding in episodic fashion, Mongrels shows us a family using stories to make sense of their past and their future, and a present that is always in flux, shifting like the werewolves themselves, shifting location as the family must always move to escape the carnage they leave in their wake, intentionally or not. Filled with humor, horror, intrigue, and insight, Mongrels unwinds its secrets across the South and the Southwest, secrets both allegorical and historical. For it is a werewolf story, but Mongrels tells us ultimately about the sadness of growing up, and how growth is always loss, and the role family plays in all of this. You cannot shift and remain the same, after all. In the capable claws of Stephen Graham Jones, Mongrels is a story about us. Because stories are all we have.

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Wednesday, August 3, 2016

THE ENEMY ABOVE: A NOVEL OF WORLD WAR II by Michael P. Spradlin

The Enemy Above: A Novel of World War II*Review copy courtesy of the author.
THE ENEMY ABOVE takes readers into WW II as the Nazis attempt to clear the Jews out of Ukraine. Their plan is to access the rich farm land in the area to use in supplying the German army.
Twelve year old Anton knows of the concentration camps and the mass execution of Jews, and he knows his father is off fighting with the Russians, but so far he and his grandmother and uncles have been safe. That is about to change.
Major Von Duesen is leading a group of gestapo soldiers through the area to capture and remove the remaining Jews. A vicious man, he is determined to make a name for himself by delivering all his prisoners to the General in hopes of earning a promotion.


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Friday, July 29, 2016

Hamilton: The Revolution by Lin-Manuel Miranda and Jeremy McCarter

The musical Hamilton has taken Broadway - and the world - by storm. Led by the impressive Lin-Manuel Miranda, this show has inspired art, song, and activism, encouraging people of all ages and backgrounds to learn from America's past and stand together to make a better tomorrow.

Hamilton: An American Musical was created by Lin-Manuel Miranda, who wrote the show's book, music, and lyrics and also starred in the title role. The show, which is based on the real life of founding father Alexander Hamilton, blends hip-hop with traditional musical theatre storytelling. It was nominated for a record-setting 16 Tony Awards with 11 wins. It was inspired Ron Chernow's acclaimed biography of Alexander Hamilton.

Now there's another book to join the ranks: Hamilton: The Revolution. Lovingly referred to as the Hamiltome by fans and creators alike, the full title of this publication is as follows:



Hamilton
the Revolution
Being the complete libretto
of the
Broadway musical,
with a true account of
its creation,
and concise remarks on
hip-hop, the power of stories,
and the new America

Try saying that three times fast. (Daveed Diggs probably could.)

Written by Lin-Manuel Miranda and Jeremy McCarter, the Hamiltome belongs in both the history section and the musical theatre section of the library. It contains a full libretto of the show, with lyrics for every single song in the production, accompanied by full-color photographs from the show. The musical is mostly sung-through, with very little dialogue that isn't accompanied by music, so this book truly contains the complete libretto.

But that isn't even half of it. The book is chock-full of interviews with the cast and creatives, describing the path the show took from inception to production, from Lin singing a draft of the first song at the White House Poetry Jam in 2009 to the workshop in 2013 to the move to Broadway in 2015 and everything in-between and beyond. Lin provides over 200 footnotes, noting the beats, lyrics, and lines that were inspired by other artists, rappers, composers, and characters in other musicals, films, and TV shows (what's up, Leslie Knope?)

You want behind-the-scenes pictures? Hamiltome has 'em. Dig the real stuff, quotes from historical documents and Hamilton's personal letters? That's there, too. One of my favorite things about this book is its thoughtful and candid insight into the creative process, with interviews and input from Lin-Manuel Miranda, director Thomas Kail, music director Alex Lacamoire, choreographer Andy Blankenbuehler, producers, and more. I also love that it names and compliments every single member of the cast, shining the spotlight on individuals in pages surrounding their character's solos or standout moments, celebrating the talents and importance of the ensemble.

This show is impressive not only in what it accomplishes on stage, but also offstage: It has encouraged people to discuss America's past, present, and future. It also helped lots of high school students with their AP History tests. It has broken the traditional casting mold and given performers opportunities to play characters they might not otherwise. It has given new voice to an old story.

It's been said time and time again: Hamilton the musical is America then as told by America now.

As someone who has followed Lin's career for a decade and thus soaked up every bit of Hamilton since that fateful White House presentation, I am very happy that the show has had such an impact - and as a bookworm since birth, I am very happy that this show has such an awesome book to put in the hands of history buffs and musical theatre aficionados alike. Three cheers for the Hamiltome.

Read an excerpt.

Watch Lin-Manuel Miranda's performance at the White House Poetry Jam in 2009, accompanied by Alex Lacamoire.

This review was originally published at Bildungsroman.

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Wednesday, July 27, 2016

Between Shades of Gray by Ruta Sepetys

Everyone knows of the atrocities committed by the Nazis, but not so much those committed in the name of Joseph Stalin. Millions of people were killed or "disappeared" during his reign of terror. Latvia, Lithuania and Estonia were absorbed into the Soviet Union at the end of the 1930's by deporting the citizens of those nations and working or starving them to death in gulags across Siberia. In many cases, individuals remained in Siberia for 10-15 years - if they survived.
This is the story of the Vilkas family as they are arrested, separated, deported, imprisoned and forced to endure the tortures of the NKVD. Though not a factual account of an actual family, the research has been done well and the descriptions of the conditions and actions are accurate. A must read for any fan of historical fiction.

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Thursday, July 21, 2016

An Infinite Number of Parallel Universes:In Real Life you Need Real Friends by Randy Ribay

So a black kid, a white kid and a nerdy kid walk into a park. No that's not a joke but it is one of the turning points of this great new novel by Randy Ribay in which he brings together a diverse group of friends who are entering senior year in high school and life chooses just this moment to throw some curve balls at them all.

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Wednesday, July 20, 2016

The Name of the Wind by Patrick Rothfuss


The Name of the Wind is the best fantasy novel I've read in a very long time. It is a story within a story within a story that never goes stale.

It begins in a small village where we are introduce to an innkeeper named Kote. Kote is unassuming on the surface, but when a spider-demon creature from my nightmares called the Chandrian appear in the town, Kote is unveiled as Kvothe, a mythical hero from a bygone era.

Chronicler, a man who appears at the inn to, well, chronicle things, asks Kvothe to reveal his past life. Kvothe reluctantly agrees, all the while trying to maintain his persona as mild mannered innkeeper.

What follows is a blistering account of Kvothe's life with traveling actors, his struggles in gaining access to a university that focuses on arcane subjects and his desire to enact revenge on those that murdered his family.

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Monday, July 11, 2016

Highly Illogical Behavior by John Corey Whaley






Sometimes the world is too much with us and we seek nothing more than the solace of home. For Solomon Reed, the world has always been too much with him, in the form of extreme anxiety and panic attacks. When one of these panic attacks ends with him in his underwear in a fountain at school, Solomon turns home into a permanent sanctuary. His computer affords him all the contact with the outside world he needs, and Solomon has no plans to return to “normal life.” It’s just easier at home.

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